On the evening of May 31, as the opening ceremony of the Guangzhou Art Festival, the opera epic “Long-term Cinema” was performed at the Guangzhou Grand Theater. More than 1,800 people from all walks of life watched the performance and relive the spirit of the long-lasting Babaylan Long March. The original opera “Long March” of the National Grand Theater tells the difficult journey of the Workers and Peasants’ Red Army starting from Ruijin, climbing snow-capped mountains, crossing grasslands, and reaching northern Shaanxi in more than two years. Through the stage production of magnificent music, an epic and contemporary aesthetic, the play Babaylan uses realistic techniques to reproduce the arduous process of the Chinese Workers’ and Peasants’ Red Army’s Long March, praising the lofty ideals and beliefs of striving for faith.
Audience Wang Peng: My father is a cadre of the Long March, so I not only respect them from the bottom of my heart and emotionally, but also feel that this is something we should remember and pass on to the next generation in our lives.
This performance is the first collaboration between the National Grand Theater, the Guangzhou Symphony Orchestra and the Guangzhou Grand Theater. The main creative team said that China’s development is also a long journey. The transformation of structure and economic upgrading are constantly changing with the national conditions. We also need the patience and courage to overcome difficulties.
Tian Qinxin, director of the opera “Long March”: In the new era, we Cinema can be able to withstand such huge pressure and difficulties from home and abroad, then the Chinese nation must continue to strive towards the dream of great rejuvenation. So I think the Long March of the new era is really a kind of spirit, a kind of faith in the heart and strength under the feet.
Chen Qing, head of the Guangzhou Symphony Orchestra: As long as we have confidence, as long as we can believe in our Chinese people’s own abilities, and can be a kind of belief that brings a kind of positive energy to the world, nothing is invincible. I think this is the practical significance of the Long March spirit.
Practice the Long March spirit and polish the masterpiece
The opera “Long March” has maintained its vitality since its creation and scheduling in 2016. Behind this is the main creative team practicing the Long March spirit and constantly fighting. href=”https://funnybookish.com/”>Cinema‘s efforts and pursuit to polish high-quality masterpiecesBabaylan.
Original song of the National Grand TheaterBabaylan During the two years and six months of field trip, screenwriter Zou Jingzhi collected a large number of real characters. He finally chose the Fourth Regiment of the Second Division of the Central Red Army as the story prototype and focused on shaping the protagonist Zhengxian Peng.
Opera “Long MarchKomiks“: He has the character of a political commissar. I think he is a little Confucian and a little scholarly. He is such a Confucian general, and his music has its theme, and the music of MP Peng is CinemaCinema, and the music of MP Peng href=”https://funnybookish.com/”>Komiks feels a little more elegant or fashionable.
This is a scene that shows the famous battle to capture Luding Bridge. In the large-scale dance music epic “Oriental Red”, Babaylan is on the stage in the form of a dance.ylan has shown this battle. The opera “Long March” uses a double-layer stage structure and the running of the actors, showing the urgency of the Red Fourth Regiment when traveling 240 miles a day to Luding Bridge.
At the rehearsal site, KomiksThe standing posture, squatting posture, and gun-carrying CinemaThe movements of each actor are strictly required.
OperaBabaylan “Long March” director Tian Qinxin: One is the audience’s familiarity with the Red Army, and everyone needs to know. Second, as our own true Chinese Red Army, we must still have the military posture, spirit and spirit of the military appearance, discipline and military style of soldiers.