Jinyang.com reporter Zhu Shaojie Xu Xueliang
Recently, the “Speaking the Voice of the Times and Forging the Soul of the Nation – Pan He Art Seminar was held at Guangzhou Academy of Fine Arts. More than 50 artists and critics from both inside and outside the province attended the seminar. The guests discussed the creative language, theme significance, artistic style, and educational philosophy of sculptor Pan He. Cinema hoped to gather forces and resources to conduct a comprehensive study of Pan He and his works, and called for the launch of the “Lingnan” sculpture research. Komiks
“Pan’s old man from Hong Kong to the South China People’s Art Academy, and then to his exchanges with the Lingnan School of Painting, contact with Western sculptures, local sculptures, etc. are worth studying. He is the pride of Guangdong and the most worth studying sculptor in Guangzhou Academy of Fine Arts.” Li Jinkun, vice chairman of the China Artists Association, dean of the Guangdong Academy of Painting, and chairman of the Guangdong Artists Association, said at the meeting that Pan He’s sculptures have become the memory of a region and a country. href=”https://funnybookish.com/”>BabaylanGuangzhou Academy of Fine Arts will use more power and resources to conduct comprehensive research on important artists such as Pan He and preserve this valuable academic resource.
The destiny of the nation is integrated into the works of Komiks
To this day, Pan He, in his 80s, has been committed to sculpture art creation for nearly 70 years, has been engaged in art education for more than 40 years, and has created more than 100 large-scale outdoor sculptures, with works traveling to more than 60 cities at home and abroad.
Pan He has won many awards and titles, and is the winner of the first Guangdong Lifelong Achievement Award and the winner of the Lifelong Achievement Award of the Chinese Art Award. In the eyes of many artists and critics, he is a modern sculptor who “produces the voice of the times and forges the soul of the nation”. The mark of the times and national thoughts permeate every work. In the view of Feng Yuan, a professor at Sun Yat-sen University, there was an important proposition in the Chinese literary and artistic circles in the 20th century: “How to transform Western modern culture into people””. He believes that Pan He consciously understands the cultural mission through his personal cultural awareness and puts it into practice. href=”https://funnybookish.com/”>Babaylan actively completed artistic practice, giving this proposition a good answer. His series of works represent or shape the key nodes of historical development since the founding of New China and are closely linked to the pulse of the entire era.
Li Ming, former president of Guangzhou Academy of Fine Arts, believes that from “When I Grow Up” to the later “Hard Times” and “Will You Be Stupid”, to the later “Zhuhai Fisherman” and “Opening” In the wild cow, “Commemorative Image of Liberation of Guangzhou”, “Peace”, etc., Pan He embraces the times and ideals with his memory, cognition, and conscience, so that his creations are close to the times.
Artist in the United States, Wu Xinkun, also said that Pan He’s works are rich in connotation, believing that his works reflect historical stories, humanistic emotions, and people’s emotions about social life, and integrate the fate of the country and nation into his works. “In “Hard Years”, no one can surpass Pan He’s portrayal of the joy of old farmers after they get the land and their expectations for the future. It is a work of the times. “He said.
“The key to whether a person has nationality lies in his thoughts rather than aesthetics. The aesthetic of Pan Hexian’s life is extremely foreign, but his thoughts are absolutely national. “Pan Fen, son of Pan He, said that the times gave Pan He a special artistic mission, allowing him to convey national thoughts with the ultimate Western aesthetic taste in the torrent of the times.
Closely related to the Lingnan School of Painting
Pan He studied in Hong Kong since he was a child, and at the age of 14 to study in Foshan, Guangdong; at the age of 19, he went to Macau to study, met the Italian sculptor Xia Gangzhi and his wife, and also met well-known statue masters such as Gao Jianfu, Yang Shanshen, and Yu Ben. Commentator Liang Jiang said: “This context is the same as the context of the Lingnan School of Painting, and he has a very close relationship with the Lingnan School of Painting. Liang Jiang believes that Pan He’s turning local factors into historical narratives of the entire nation is an important aspect that should be paid attention to when studying regional art history and regional art. He gave examples of Pan He’s Lu Xun portrait sculpture “You’re stupid” and believed that the title of this work has a very obvious Guangdong characteristic, connecting the Guangdong Cantonese cultural circle. His work “The Crafting Cow” is also an important work where local factors participate in mainstream discourse in the country. Yin Shuangxi, a professor at the Central Academy of Fine Arts, also said: “Mr. Pan He’s works can be resonated and responded to in every historical node. His works can grasp the most important moments of the theme, plot, historical development and the psychological and mental state of the characters, and use sculptures to turn the moment into eternity. ”
In addition, Yin Shuangxi mentioned that a sculptor can leave a city mark in a city throughout his life.The people of a city will always remember him, and Mr. Pan He left his landmark works in Zhuhai and Shenzhen, two important cities in Guangdong. The spirit expressed by Shenzhen’s urban landmark “The Cow of Refining the Land” has not only become the spirit of Shenzhen, but also the spirit of reform and opening up.
Pan He is good at capturing details and refining core traits. Most of his classic works come from wonderful moments that touch him. “When I Grown Up” created in the early 1950s was a creation that he was inspired by the situation of rural teachers after participating in the “land reform”. It is said that Chairman Mao gave a high evaluation. This work also represented China in the International Mother’s Day Conference held in Switzerland and the Fifth World Youth Festival held in Poland, which caused a sensation. To date, Pan He has recorded the history of China’s recent and contemporary development with sculpture art, and has also embodied the spirit of the times of reform and opening up in China. He is committed to the construction and cultural construction of socialist city of Komiks. The outstanding contributions made by Komiks are obvious to all, beautifying the urban space and enriching the urban connotation.
Excellent in artistic form
From form to theme, Pan He’s sculpture art has a distinct personal style and an irrepeatable uniqueness. “This is an embodiment of the artist’s wisdom and personality, and it is also a precious quality and pure realm.” Huang Qiming, deputy secretary of the Party Committee of Guangzhou Academy of Fine Arts, believes that as a sculptor who grew up with the Republic, Mr. Pan He always revolves around the melody of the country and the times. However, he often has novel ideas in art forms and finds a perfect combination between form and theme.
The Hard Years, created by Pan He in 1957, has become one of the must-have works for various art appreciation textbooks for primary and secondary schools and century-old art. This classic work has always been interpreted as a firm belief in expressing the hard environment of the Red Army. Previously, Pan He explained that the work did not express the Red Army, but the Hainan guerrillas. But no matter what, the works reflect that in that difficult era, the revolutionary ancestors’ belief in life and life directly conveyed an optimistic spirit.
“The work conveys a sincere belief in human natureCinema, no matter how many difficulties and hardships there are in life, how many deceptions and faults exist, it still maintains its belief in life and the future.” Yin Shuangxi believes that Pan He closely connects the fate of art with the fate of a country, an era, and a nation. His works are very thematic, but his theme is not rigid and symbolic, but grasps the characteristics of art, so that the sculptural language and plot and theme are balanced, and attracts a wide audience.
Exploring Lingnan sculptures through Pan He
In addition to independent creation, Pan He also has an inescapable identity that he is a teacher. From a lecturer at the Guangzhou Academy of Fine Arts to a tenured professor in the Sculpture Department of Guangzhou Academy of Fine Arts, he has been teaching for forty years and has cultivated a group of outstanding artistic talents with his unique educational concepts.
The American artist Wu Xinkun became a graduate student of Pan He during the first national graduate student recruitment in 1978. In his impression, Pan He’s usual teaching does not emphasize basic skills and techniques, but focuses on ideological education. “He himself is an aesthetician and thinker. What he said in a very big way has an impact on me. For example, he said ‘no stubbornness, no harm is true’. He believes that literary and artistic works do not have to be perfect. Its shortcomings are Komiks‘s personalityCinema.” Wu Xinkun recalled.
Pan Fen revealed that Pan He’s educational philosophy is related to his learning experience. Pan He has always had a very unique personality in his study, believing that the teacher is not technical, but ideological. He believes that the thoughts are ten thousand times stronger than the Babaylan‘s technique.
Pan He’s sculptures have far-reaching cultural significance for contemporary art, seminarThe participants at the meeting all proposed that we should gather forces from multiple parties to collect and organize resources and conduct a comprehensive study of Pan He and his works; we hope to establish a research team on sculpture theory as soon as possible, sort out the development context of sculpture from a theoretical perspective, and promote the development of disciplines. In the process of Guangdong art’s transformation from tradition to modernity, it has always been the first, the era is the first, and the path of change. It should focus on in-depth research on the Lingnan School of Painting, and conduct vertical and horizontal comparisons by artists such as Pan He to deeply explore Lingnan sculptures.