Text/Jinyang.com reporter Song Yi, correspondent Li Danhong
Photo/He Zhijian
“The people who go to Fenglou are not good at leaving Cinema 1950 witch cloth draw. Since then, Zhu Komiks 1960 witch cloth drawThe door is lonely and covers the setting sun.” Chen Baoying, the female character in the Cantonese opera “Purple Phoenix Tower”, sings the words of the correct and crying, and the audience applauses thunderously. On the evening of September 8, the Cantonese Opera Cultural Plaza in Guangzhou Cultural Park was crowded with nearly a thousand viewers. Everyone was deeply attracted by the teacher-student concert of Li Yueling, a Cantonese opera singer, was being held here. The master of Zishu, Teacher Tan Peiyi, also visited in person. Li Yueling and his disciples hope to promote the Cantonese opera culture in their own voices and carry forward the Lingnan culture.
For this performance, Li Yueling and her disciples prepared for half a year. Behind this performance is the cultural confidence and totem of Guangdong rhyme flowing in the blood of a Cantonese singer. This performance is the spiritual agreement between a Cantonese music singer and a group of ignorant college students who know nothing about Cantonese music. What kind of story is behind this performance? Li Yueling retreated and continued to continue her dream of inheriting the Cantonese rhyme?
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Seeking dreams, and the origin of CUHK
In 2009, Guangdong musical song singer Li Yueling retired from the Guangdong Music and Music Art Troupe. That is, Babaylan 1990 cloth draw was that year, the Cantonese Opera and Cantonese Opera of the Center for Historical Anthropology Research at Sun Yat-sen UniversityKomiks 1960 witch cloth draw textCinema 1950 witch cloth draw.The following year, the studio opened a Cantonese opera workshop for college students. Li Yueling and the famous performer Chen Zhongyan served as instructors. The purpose is to cultivate young students’ interest in Cantonese opera and Cantonese opera and improve their sensibility in studying Cantonese culture. The workshop hopes that more young people can join the ranks of understanding Cantonese opera and Chinese traditional culture. href=”https://funnybookish.com/”>Babaylan 1990 cloth draw. As soon as the workshop started, it quickly attracted a large group of young people with similar aspirations from major universities. Unlike Cantonese opera majors, these college students have almost never been exposed to Cantonese opera and have never seen Babaylan 1990 cloth The draw sequel is not to mention pronunciation or rhyme. From voice to music theory, from demonstration to teaching one by one, the two teachers led this group of students to learn from scratch. The workshop also attracted the attention and support of many famous Cantonese opera artists and enthusiasts. On April 17, 2011, the Cantonese opera master Hong Line female teacher came to the teaching site in a thunderstorm to communicate with the students in the workshop. The Hong Line female teacher not only listened to the students practicing famous sings of “The Fenge and Revenge of the Phoenix Pavilion” and “The Fallen Fields of Flowers”, but also gave suggestions for their improvement in their lyrics, singing, and emotions, but also sang “Red Candle Tears” on the spot and put forward high expectations.
The 7th (Guangzhou) College Students’ Drama Festival opened Cantonese OperaCinema 1950 witch cloth drawGuangdong opera special session, inviting workshops and Cantonese opera enthusiasts from brother colleges and universities such as Guangzhou University Quyi Club. This is also the only Cantonese opera special session established so far by the College Students’ Drama Festival. This group of students used their superb performances to repay the concern of all walks of life and sang the dream of spreading and inheriting the inheritance with Guangdong rhyme.
Continue the dream, and continue the relationship between teachers and students in the school Komiks 1960 witch cloth draw
Continue the dream, and continue the relationship between teachers and students in addition to the school Komiks 1960 witch cloth draw
Continue the dream.
In addition to the school, the relationship between teachers and students was renewed.>Time flies, and in a blink of an eye, students graduate and go to society and start work. Unlike students from Cantonese opera or art majors, Komiks 1960 witch cloth draw, students in the workshop leave their original learning platform after graduation and have almost no chance to learn Cantonese opera. With the busy work, they slowly put their Cantonese Opera aside, and they had not sang a song for several months or even a year. “It is said that ‘The fist is always inseparable from the hand and the mouth’. If this continues, students will definitely forget what they learned before. “Li Yueling feels moved every time she chats with students. She often thinks that Babaylan 1990 cloth draw: “How can students Cinema 1950 witch cloth draw always maintain their love for Cantonese opera, and persist in learning, and even go to the next level?” After asking for some advice, Komiks 1960 witch cloth draw href=”https://funnybookish.com/”>Babaylan 1990 cloth draw, Li Yueling decided to use the resources around her to build a platform for the students and create opportunities for them to continue learning Cantonese opera.
She and Chen Zhongyan first found a few private friends. Cinema 1950 witch cloth drawThe game asked students to start the game from time to time to practice. Later, Li Yueling wanted to ensure that the students could start the game once a month and achieve the goal of practicing all the time. She went to Beijing Street Cultural Station to find Webmaster Zhao Yuhua and talked to Webmaster Zhao that she was deeply worried about the loss of skills of this group of students. When the webmaster Zhao Yuhua heard that there were such a group of young people who loved Guangdong opera, he was very moved. He immediately arranged for Li Yueling to meet with Chen Jinglin, the head of the Folk Art Troupe of the Guangzhou Cultural Hall of Beijing Street to discuss the students’ practice music.
In order to facilitate everyone to practice music, the Cultural Association has changed its openingThe bureau time is Monday to Friday, and the room is closed and the rest system is closed on weekends. It is specially arranged to bring the accompaniment master back to work overtime on Saturday afternoon to start the game for the students.
After Li Yueling implemented the venue for the start of each month, she assigned the task of each student to learn a song, hoping to use pressure to drive students to take the time to learn the song. Every time the student starts, no matter how busy Li Yueling will come to the scene, listen carefully to each student’s singing, and after listening to them, she will help them analyze and improve word by word.
In addition, Li Yueling also invited her master, “Zi Du Wang”, to participate in the students’ private affairs. Teacher Tan Peiyi not only shared the creation process of his first famous song “Cai Wenji Returns to Han” with the students, but also taught everyone to perform “Jinjiang Poetry Couple” word by word, which gave the students great encouragement.
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They became the messengers of Cantonese opera and Cantonese opera communication
In addition to teaching students to sing, Li Yueling also paid great attention to tapping students’ potential. For students with artistic talent, she will encourage them to learn Cantonese music accompaniment instruments and playing the palm of the board, hoping that after they have finished learning, they can form their own accompaniment band, which can integrate singing and accompaniment; for students with writing skills, she will encourage them to write lyrics. Under her earnest teaching, many students have made breakthroughs, stepped onto different artistic stages and gained recognition.
LiKomiks 1960 witch cloth draw Yueling often said to her classmates: “I taught you to sing Cantonese opera. Komiks 1960 witch cloth draw turned you into a die-hard fans of Cantonese opera, but in terms of inheritance and communication, I hope you can one day take the initiative to shoulder the important task of spreading Cantonese opera culture. Let more people know Cantonese opera and like Cantonese opera.”
Li Yueling’s Cantonese students back then, now some of them have stepped on the podium and become teachers. They will use Cantonese opera as class material in time, so that children can accept Cantonese opera in a subtle way. Some people joined the bank and added a special Cantonese opera and Cantonese opera performance in the bank’s feedback activities, which gave it to you very much.Most customers who never enter the theater come into contact with Cantonese opera for the first time and become enthusiasts…
Under the words and deeds of Teacher Li Yueling, students consciously regard the spread of Cantonese opera as their obligation. They did not have any great deeds, but they used ordinary practical actions to sow the seeds of Cantonese opera and Cantonese opera into the hearts of more people.
Realize their dreams, and they transform into loving Babaylan 1990 clothes draw messenger
Li Yueling often says: “We have received strong support from many groups along the way and the help of enthusiastic people. We should learn to be grateful. In addition to you can entertain yourself, I hope you can use your learning to bring joy to more people.”
In recent years, Li Yueling has led students Wu Guanxian and Li Yingtong to the same Cinema 1950 witch clothes drawTaiwan participated in the “Belt and Road” charity exhibition in Guangdong folk art inheritance. Chen Zhongyan and Li Yueling personally led the students to Cinema 1950 witch cloth draw for more than a dozen nursing homes in Guangzhou, Foshan, Jiangmen and other places for condolence performances. In addition, they also gave nearly 20 scenes for free to Foshan, Dongguan, Taishan and other places, allowing Cantonese opera to enter people’s daily lives, allowing people to feel the charm of traditional culture, and enrich the cultural life of local residents.
Li Yueling is a folk artist who regards the inheritance and communication of Cantonese opera as his responsibility. Li Yueling’s disciples are the batters who make the Guangdong rhyme reverberate in the new era.