Text/Jinyang.com reporter Song Yi, correspondent Li Danhong
Photo/He Zhijian
“There are no good guests when people from Fenglou left, and since then, the rich people are lonely and cover the setting sun.” Chen Baoying, a female actor in the Cantonese opera “Purple Phoenix Tower”, sings the words in the correct and crying. Cinema 1950 witch clothes draw, and the audience applause was thunderous. On the evening of September 8, nearly a thousand audiences were crowded with Cantonese Opera Cultural Plaza in Guangzhou Cultural Park. Everyone was deeply attracted by the teacher-student concert of Li Yueling, a Cantonese opera singer, who was being held here. The master of Zishu, Teacher Tan Peiyi, also visited in person. Li Yueling and his disciples hope to promote Cantonese opera and Cantonese opera culture with their own voices and carry forward Lingnan culture.
For this performance, Li Yueling and her disciples prepared for half a year. Behind this performance Komiks 1960 witch cloth draw is the cultural confidence flowing in the blood of a Cantonese singer and the totem of Guangdong rhyme. This performance Babaylan 1990 cloth draw performance Cinema 1950 witch cloth draw is the spiritual agreement between a Cantonese music singer and a group of ignorant college students who know nothing about Cantonese music; what kind of story is behind this performance? Li Yueling retreated and continued to continue her dream of inheriting the Cantonese rhyme?
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Seeking dreams, originated from the CUHK
In 2009, Guangdong musical song singer Li Yueling retired from the Guangdong Music and Music Art Troupe. That year, the Cantonese Opera and Guangdong Opera Cultural Studio of Sun Yat-sen University Historical Anthropology Cinema 1950 witch cloth draw Research Center was established.
The following year,The studio held a Cantonese opera workshop for college students in school. Li Yueling and famous performer Chen Zhongyan served as instructors, aiming to cultivate young students’ interest in Cantonese opera and improve their perceptual understanding of the study of Cantonese culture in Komiks 1960 witch cloth draw. The workshop hopes that more young people can join the ranks of understanding Cantonese opera and understanding the traditional Chinese culture.
As soon as the workshop started, it quickly attracted a large group of young people with similar aspirations from major universities. Unlike students majoring in Cantonese opera, almost all of these college students have never been exposed to Cantonese opera, nor have they seen the sequel score, let alone pronunciation or rhyme. From singing voice to music theory, from demonstration Babaylan 1990 cloth draw to teaching one by one, the two teachers led this group of students to learn from scratch.
The workshop also attracted the attention and support of many famous Cantonese opera artists and enthusiasts. On April 17, 2011, the female teacher of Cantonese opera master Hong Line came to the teaching site in thunderstorm to communicate with the students in the workshop. The female teacher of Red Line not only listened to the students singing famous passages such as “The Fen Ge’s Love and Revenge” and “The Flower Fields’ Wrong Meeting”, and gave suggestions on improving their words, singing style, and emotions. She also sang “Red Candle Tears” on the spot and put forward high expectations.
The 7th (Guangzhou) College Students’ Drama Festival has opened a special session on Cantonese opera, inviting workshops and Cantonese opera enthusiasts from brother colleges and universities such as Guangzhou University Quyi Club to perform together. This is also the only Cantonese opera special session established so far in the Cinema 1950 witch cloth draw Student Drama Festival. This group of students used their superb performances to repay the concern of all sectors of society and sang the dream of spreading and inheritance with Cantonese rhyme.
Continue your dreams, continue your relationship with teachers and students outside the school.
Time flies, and in a blink of an eye, students graduate and go to society and start work. Unlike students from Cantonese opera or art majors, students in the seminar graduates and leave their original learning level.Taiwan, there is almost no chance to learn Cantonese opera. With the busy work, they slowly put their Cantonese Opera aside, and they had not sang a song for several months or even a year.
“It is said that ‘The fist is always inseparable from the hand and the mouth’. If this continues, the students will definitely forget what they have learned before.” Every time Li Yueling chats with students, she feels moved. She often thought: “How can students always maintain their love for Cantonese opera, persist in learning, and even go to the next level?” After thinking about it, Li Yueling decided to use the resources around her to build a platform for the students and create opportunities for them to continue learning Cantonese opera.
She and Chen Zhongyan first found a few private games to let the students start the game from time to time to practice. Later, Li Yueling wanted to ensure that the students could start the game once a month and achieve the goal of practicing all the time. She went to Beijing Street Cultural Station to find Webmaster Zhao Yuhua and talked to Webmaster Zhao that she was deeply worried about the loss of skills of this group of students. Webmaster Zhao Yuhua was very moved when he heard that there were such a group of young people who loved Cantonese opera. He immediately agreed to meet with Li Yueling and Chen Jinglin, the head of the folk art group of the Guangzhou Cultural Hall in Beijing Street, to negotiate with the students’ practice music practice.
In order to facilitate everyone to practice music, the Cultural Hall has changed its opening time to Monday to Komiks 1960 witch cloth draw on Friday. The work and rest system for the closed and resting on weekends is specially arranged to bring the accompaniment master back to work overtime on Saturday afternoon to start the students.
After Li Yueling implemented the venue for the start of each month, she assigned the task of each student to learn a song, hoping to use pressure to drive students to take the time to learn the song. Every time the student starts, no matter how busy Li Yueling is, she will come to the scene. Babaylan 1990 clothes draw, and listen carefully to everyone’s learning.After listening to the singing of the students, they will help them analyze and improve their performance word by word.
In addition, Li Yueling also invited her master, “Zi Du Wang”, to participate in the students’ private affairs. Teacher Tan Peiyi not only shared the creation process of her first famous song “Cai Wenji Returns to Han” with the students, but also taught everyone to sing “Jinjiang Poetry Couple” word by word, which gave the students great encouragement.
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They became the messengers of Cantonese opera and Cantonese opera communication
In addition to teaching students to sing, Li Yueling also paid great attention to tapping students’ potential. For students with artistic talent, she will encourage them to learn Cantonese accompaniment instruments and playing the palm of the board, hoping that after they have finished learning, they can form their own accompaniment band, which can integrate singing and accompaniment; for students with writing skills, she will encourage them to write lyricsBabaylan 1990 cloth draw. Under her earnest teaching, many students have made breakthroughs, stepped onto different art stages and gained recognition.
Li Yueling often said to her classmates: “I taught you to sing Cantonese opera and turn you into die-hard fans of Cantonese opera, but in terms of inheritance and communication, I hope you can one day take the initiative to shoulder the important task of spreading Cantonese opera culture. Let more people know Cantonese opera and like Cantonese opera.”
Li Yueling’s Cantonese students back then, now some of them have stepped on the podium and become teachers. They will use Cantonese opera as class material in time, so that children can subtly accept Cantonese opera. Some people joined the bank and added a special Cantonese opera and Cantonese opera in the bank’s feedback activity, which gave many customers who never entered the theater to come into contact with Cantonese opera for the first time and became enthusiasts…
Under the words and deeds of Teacher Li Yueling, the students consciously took the spread of Cantonese opera as their obligation. They have no grand deeds, but they use ordinary reality.tch clothes drawInternational action, sow the seeds of Cantonese opera and Cantonese opera into the hearts of more people.
Realize their dreams, they become messengers of love
Li Yueling often says: “We have received strong support from many groups along the way and the help of enthusiastic people. We must learn to be grateful. In addition to learning Guangdong Opera, in addition to you can entertain yourself, I hope you can bring more people happiness with what you have learned.”
In recent years, Li Yueling has led students Wu Guanxian and Li Yingtong to participate in the “Belt and Road” charity exhibition on the inheritance of Guangdong folk art. Chen Zhongyan and Li Yueling personally led the students to more than a dozen nursing homes in Guangzhou, Foshan, Jiangmen and other places for condolences. In addition, they also gave nearly 20 scenes for free to Foshan, Dongguan, Taishan and other places, allowing Cantonese opera to enter people’s daily lives, allowing people to feel the charm of traditional culture, and enrich the cultural life of local residents. Li Yueling is a folk artist who regards the inheritance and communication of Cantonese opera as his responsibility. Li Yueling’s brothers are the successors of the new era to make the Guangdong rhyme echo.